This seminar series was initially organised during the 2023-2024 academic year by Aled Jones and Gioula Koutsopanagou, supported by a sub-group comprising Mara Logaldo and Nora Ramtke, and it is currently in its fifth edition.
Its purpose is to create a network for the creation of collaborative, transnational and comparative work on press regulation and press practices in print and visual material in and across different national contexts with respect to the law, and to the law-related professions of journalists, lawyers, lawmakers. and legal periodicals.
Subjects may include:
- IP and copyright in the context of the notion of protected work, such as printed and visual material (photographs and artworks)
- moral rights (appropriation art, remixes)
- ownership (authors and editors, printed matter, photographers, reporters)
- exceptions and limitations (fair use), infringements, Creative Commons license, civil law protection (rights of privacy, right of publicity, personal data protection), fiscal policies, libel legislation, obscenity laws, state censorship, court injunctions, and state security restrictions (e.g. for national defence in wartime)
The field also includes studies of the persecution and prosecution of reporters, editors, writers and publishers, legal restrictions on ownership (e.g. anti-Trust, anti-monopoly laws), media laws covering advertising, laws covering reporter access (e.g. the UK Lobby system), or geographic areas/militarised zones of restricted access, and war reporting.
It is envisaged that work undertaken by researchers in their own institutions or individually, based on local/national collections, with an interdisciplinary approach, may then be considered in a broader, multinational context.
The online seminars will each last one hour and will consist of two papers of 15 minutes each, followed by discussion.
Recordings of past seminars are available below, organized by date, allowing you to explore topics of interest at your convenience. You may also watch them on YouTube.
P&L Seminar 8: Fifth Series
ANNA KALINOWSKA, ‘So far, yet so close. English newsbooks and the Polish-Lithuanian Sejm’, 19 February 2026. Chair: Aled Gruffydd Jones
The emergence of the periodical press in England was closely linked to Parliament, as the first newsbooks in the early 1640s focused on reporting events in Westminster when Parliament became a key institution in the country’s political life. When the editors expanded the scope of coverage to include foreign news, Poland-Lithuania and its Sejm became regular subjects of reports and comments for newsbook readers. In my presentation, I will discuss the most important elements of the coverage of the Polish-Lithuanian parliamentary system, with a particular focus on the legal aspects of its functioning and the manner in which news about the Sejm was contextualised within the domestic political landscape. Despite the geographical distance and the multitude of differences between the two countries, it is clear that the Polish-Lithuanian reality was well known to both the newsbook editors and their readership, and constituted a point of reference in the domestic political discourse that was so prominent at the time.
Dr Anna Kalinowska is a Senior Researcher in the Institute of History at the Polish Academy of Sciences and Head of Publications at the Polish History Museum, as well as former Head of Historical Research at the Royal Castle, all in Warsaw. Her research interests are centred on the area of early modern diplomacy and news in the Polish-Lithuanian Commonwealth and in Western Europe, with a particular emphasis on newspapers. She is one of the organisers of the ‘Splendid Encounters’ conference series and a grantee of the British Academy, the Royal Society of Edinburgh and the US State Department (Fulbright Program). Most recently she was also a Fernand Braudel Fellow at the European University Institute in Florence.
MARINOS PAPADOPOULOS (Dr., Lawyer, specialized scientist and legal advisor): ‘AI and software legal protection’, 28 November 2025. Chair: Simona Laghi
The seminar will focus on the right of communication to the public and the making available right in relation to software. It will explore relevant EU legislation and draw on established case law concerning these rights, with particular attention to key legal concepts such as the notion of the “public.” The presentation will also address the protection of software under EU law, outlining the exclusive rights granted to software rightholders and examining how the right of communication to the public is exercised in practice. Part of the seminar will be dedicated to the intersection of software and artificial intelligence, highlighting common AI components and the legal mechanisms available for their protection. Additionally, the presentation will touch upon the challenges software developers face when attempting to secure patents under European law, metaphorically described as the "needle's eye" through which they must pass.
Marinos Papadopoulos is a Lawyer, registered with the Athens Bar Association since 1996. Ever since he practices Law and participates in national and international forums related to Law and Technology. From 2016 to 2024, he was legal advisor to the National Library of Greece for Copyright, Contract Law, Transparency and Open Access in the new era of the National Library at the Stavros Niarchos Foundation Cultural Centre. He served as legal advisor to the World Bank Group on legal issues related to the implementation of the new Judicial Map of the Greek Justice system. He has extensive experience as a specialized scientist and legal advisor in innovation projects funded by the European Commission and implemented in Greece and abroad. Works authored by him on legal issues of Law and Technology have been published in academic and scientific publications in Greece, the USA, the United Kingdom, Australia and India.
P&L Seminar 7: Fourth Series
CELINE MANSANTI (University of Picardie-Jules Verne): ‘La Vie Parisienne in the 1920s US: “New Puritanism”, Censorship and Self-Censorship’, 23 June 2025. Chair: Andrew Hobbes
This presentation is based on a work in progress on the cultural transfer of La Vie parisienne and other humorous French magazines (such as Le Rire, Le Sourire, Le Journal amusant, etc.) to the US between 1913 and 1939. Cumulatively attracting millions of French readers during the Belle Époque (roughly between the 1870s and 1914), these French light, comic, risqué, satirical illustrated magazines had a rich, second, later life in the US where they contributed to massive reactions against the “new Puritanism” (Mencken) prevailing in the American society. In particular, they helped reshape the magazine landscape when “sex o’clock” (Current Opinion, vol. 55, n°2, August 1913) started to chime around 1913, contributing, in the 1910s, to the modernization of the triad of classic humor magazines (Puck, Judge, Life) and helping a “smart” magazine such as Vanity Fair find its distinctive, sophisticated voice; encouraging the creation of a set of small humorous magazines in the 1920s (such as French Frolics La Vie Parisienne, French Humor, Joe Burten’s magazines); and taking part in the birth of a whole line of French-themed spicy pulps (such as Parisienne Monthly, Gay Parisienne, Paris Nights, and La Paree Stories), mostly in the 1930s. In this talk, I will focus on La Vie parisienne and show how, in the 1920s, this magazine inspired several American publications (fully-fledged magazines or “Vie parisienne” issues of existing magazines) committed to fighting “new Puritanism”. A good number of these publications printed approximate copies of La Vie parisienne’s risqué illustrations, triggering censorship actions reported in the press. Censorship in turn generated self-censorship phenomena. Studying how censorship operations were reported in the press of the time and comparing some of the original illustrations published in La Vie parisienne with those copied in these American publications should help us highlight some of the censorship and self-censorship mechanisms in the “new Puritan” America of the 1920s and see that the “Roaring Twenties” did not roar for everyone everywhere.
Céline Mansanti is an associate professor in American history at the University of Picardie-Jules Verne in France. She wrote her PhD thesis on transition magazine (La revue transition, 1927-1938, le modernisme historique en devenir, Rennes, PUR, 2009). Her field of interest is the cultural history of the United States and its relationships with Europe in the first half of the 20th century, with a special focus on periodicals. She is currently writing a manuscript entitled “‘Sex O’Clock in America’: The cultural transfer of La Vie parisienne, Le Rire, and other French humorous magazines to the US, 1913-1939”.
BEATRICE JOYEUX-PRUNEL (University of Geneva): 'The Legal Labyrinth of Image-Based Research: Insights from the Visual Contagions Project', 23 May 2025. Chair: Gábor Dobó
Copyright law remains one of the most frustrating obstacles for art historians—especially for those working with illustrations from periodicals, and even more so when dealing with large-scale digitized corpora. At the heart of the issue lies a challenge: identifying, dating, and locating the publication of images. Drawing on the Visual Contagions project—a research initiative on globalization through images in the 19th and 20th centuries—this presentation will highlight key moments where legal considerations around copyright (including reproduction, dissemination, and data mining) must be taken into account. It will also outline some of the strategies developed to navigate these constraints.
Béatrice Joyeux-Prunel is a full professor at the University of Geneva, Chair of Digital Humanities. She leads the Visual Contagions project, funded by the Swiss National Science Foundation, which focuses on the global circulation of images in the 20th century. A specialist in artistic and cultural globalization, she is widely recognized for her trilogy on the global and social history of avant-gardes, published by Gallimard (paperback: volumes 1 and 2) and CNRS Editions (volume 3) (English translation in progress for Brill publishings). Last publication: L'Art contemporain. Une infographie, with Guillemette Crozet (Paris:CNRS Editions, 2024).
P&L Seminar 6: 'Machine Learning Meets Victorian Media'
THOMAS SMITS (University of Amsterdam): 'Machine Learning Meets Victorian Media: Tracking Transnational News Images', 25 November 2024. Chair: Nora Ramtke
This presentation explores the transnational circulation of images in nineteenth-century periodicals using computational methods. While images were crucial to the period's periodical press, tracing their movement across publications, languages, and national boundaries has long challenged researchers. By applying machine learning techniques to match illustrations between the famous American periodical Frank Leslie's Illustrated Newspaper and several major European journals, this research demonstrates new possibilities for analyzing cross-cultural media exchange. It uncovers a complex network of artistic and technological transfer, illuminating the movement of entrepreneurs, illustrators, engravers, and visual content across national borders. This presentation is based on joint work with Paul Fyfe.
Dr. Thomas Smits is assistant professor of digital history and AI at the University of Amsterdam. A historian with an interest in visual culture and computer-assisted methodologies, he is the author of The Visual Memory of Protest (AUP, 2023), which he co-edited with Ann Rigney, and the prize-winning The European Illustrated Press and the Emergence of a Transnational Visual Culture of the News, 1842–1870 (Routledge, 2020). Recent work has been published in Humanities and Social Sciences Communications, Visual Studies, New Media & Society, and Digital Scholarship in the Humanities. More information: thomassmits.eu.
P&L Seminar 5: 'Entitling the Woman Writer'
TEJA VARMA PUSAPATI (Shiv Nadar Institution of Eminence): 'Entitling the Woman Writer: The 1842 Copyright Act and The Female Journalist in Eliza Meteyard’s Struggles for Fame (1845)', 2 October 2024. Chair: Cedric Van Dijck
Struggles for Fame (1845), a novel by the radical woman journalist Eliza Meteyard (1816–1879) offered one of the earliest fictional representations of the female journalist. The novel’s episodic plot follows the fortunes of Barbara, who, after being saved from ruffians at the age of two, lives with various guardians, including an abusive parish nurse, a wealthy gentleman, a captain who tries in vain to make her a musician, and a packman turned bookseller named Adam Leafdale. Determined to earn her living by writing, Barbara wages a hard and occasionally lonely struggle with the conditions of the literary market, contributing to various ill-paying periodicals and newspapers before shifting to book writing and becoming a celebrated woman of letters. Barbara’s struggles also draw attention to the failure of the recently passed copyright legislation to safeguard the interests of periodical contributors. The Copyright Act of 1842, which, for the first time, extended authors’ copyright beyond their lifetime, supported the idea that the best of authors were likely to receive their due from the market gradually and over a long period. As various scholars have shown, the very notion that an author had proprietary rights over his/her production was historically based on an understanding of the writer as an inventor of a novel idea. Since journalists worked collaboratively, and often under direct instructions from periodical editors and owners, it was particularly difficult to identify the source of originality and to treat the periodical writer as the sole creator of a literary work. My presentation will focus on this crucial, neglected novel and elucidate its representation of the literary market, conditions of authorship, and the professionalisation of women writers in the wake of the 1842 Copyright Act.
Teja Varma Pusapati is Associate Professor in the Department of English at Shiv Nadar Institution of Eminence, India. She has held a TORCH Women in the Humanities writing fellowship at the University of Oxford and an Andrew Mellon Fellowship at the Huntington Library in California. She has served on the Board of Directors of the Research Society for Victorian Periodicals. Teja’s work has appeared in the journals Victorian Periodicals Review, Women’s Writing and Nineteenth-Century Gender Studies. She has contributed book chapters to Women, Periodicals and Print Culture in Britain 1830s-1900 and the Routledge Companion to Literature and Feminism. Her first monograph, Model Women of the Press: Gender, Politics and Women’s Professional Journalism, 1850-1880, was recently published by Routledge, New York.
P&L Seminar 4: 'Periodicals and AI'
ELENA LAGOUDI (Museologist/Data curator, National Documentation Centre, Athens, Greece): 'Cultural Data in the AI Age: navigating the intersection of cultural datasets, civic value, and AI', 28 May 2024. Chair: Elena Ogliari
The National Documentation Centre (EKT) in Greece, through SearchCulture.gr, the Greek national aggregator for cultural data, plays a pivotal role in widening public access to cultural data in Greece and beyond. This paper will present SearchCulture's content, innovative business model and digital curation methodology which is oriented towards adding social value to cultural data produced through public funding. It will discuss cultural datasets, with a focus on Periodicals, and how AI can revolutionize cultural documentation. It will delve into the benefits of using AI throughout the data lifecycle, from preservation to analysis, highlighting its potential for enhancing understanding and representation of the past.
Elena Lagoudi is a museologist with a focus on data curation, collections management and digital content strategy. Having worked for a decade in national museums in the UK (TATE, The National Gallery) she developed digital products, services, and strategy. Since 2012 she has been working for the National Documentation Centre in Athens, Greece, as part of the team that develops the National Cultural Heritage Aggregator, SearchCulture.gr.
EVANGELIA VAGENA (Attorney at Law, Ph.D.): 'AI, Copyright Law in print and visual media', 28 May 2024. Chair: Elena Ogliari
We will examine the intersection of artificial intelligence (AI) and copyright law, with a focus on its implications within the realms of academic journals, legal literature and images' use within. We will focus on AI's role in content creation, curation, and dissemination which has significantly transformed scholarly publishing and legal documentation processes, as well as in the rights’ management process. AI evolution presents multifaceted copyright challenges concerning ownership, infringement, and the application of copyright exceptions, both in AI's input and output. In light of the first EU AI Act, we will examine the main questions posed and the responses provided by current copyright legislation, as well as those addressed by emerging AI-specific laws. Additionally, we will underscore the importance of interdisciplinary dialogue among the legal community, technologists, and policymakers.
Evangelia Vagena is a lawyer specializing in IT law with a focus on copyright law, personal data and cybersecurity. Currently, she serves as the Senior Director of Compliance for the Orfium Group of Companies. From 2019 to 2022, she held the position of Director at the Hellenic Copyright Organisation (HCO), where she had previously worked as a lawyer for 13 years. She earned her PhD from the Athens School of Law, focusing on copyright technological protection and digital rights management. Additionally, she holds a Master's degree in Law and Information Technology from the University of Montpellier I in France. Evangelia is also an adjunct lecturer of Information Law at the Athens University of Economics and Business and a lecturer on contract at the University of Piraeus.
P&L Seminar 3: 'Periodicals and the Right to Copy'
WILL SLAUTER (Sorbonne Université): 'Periodicals and the Right to Copy: Copyright Exceptions for the Press Before and After the Berne Convention (1886)', 24 April 2024. Chair: Andrew King
This presentation will explore the history of copyright exceptions for the periodical press in the decades immediately before and after the Berne Convention for the Protection of Literary and Artistic Works (1886 and subsequent revisions). Comparing national legislation in several European countries and early bi-national copyright treaties as well as the various revisions of the Berne Convention, it will draw attention to contemporary debates about the appropriate rules for the reproduction and translation of contributions to newspapers and other periodicals. Although the history of copyright is most commonly framed as a narrative of expansion over time, the history presented here stresses how in specific national and international contexts there were successful efforts to carve out an explicit right to copy articles from newspapers and other periodicals. Although the broad rights to reproduce material from periodicals found in some of the national statutes and the initial Berne Convention were restricted over time, the history presented here shows how attitudes and practices related to periodical works helped nudge copyright law in specific directions at key moments in its history.
P&L Seminar 2: 'Beyond the Taxes on Knowledge'
ANDREW KING (University of Greenwich): 'Beyond the Taxes on Knowledge: the Law and the 1860s English Press', 19 December 2023. Chair: Aled Jones
Summed up in Carlyle’s famous notion of the press as “the Fourth Estate”, discussions of the Law and the British press in the nineteenth century have often been framed in gendered terms of a heroic struggle for freedom from government where opposition to the so-called “Taxes on Knowledge” from the 1830s to 50s has been a focal point. However, regulation of the press is conceptually much more complex than one issue or slogan (however effective such a unifying slogan can be). The laws concerning the press are many and varied, involving diverse actants in a multitude of conflicts on small and large scales: government and legislature (not always identical); owners and managers (again, maybe with different and conflicting aims); workers of many different kinds in manufacturing and distribution; consumers. I shall briefly relate a few case studies concerning some of the remaining legal regulations of the press in the 1860s after the last of the “Taxes on Knowledge” had been repealed in 1861, legal regulations concerning obscenity, libel, copyright, and – very often forgotten altogether – the labour conditions of both printers and distributors.
P&L Seminar 1: 'Periodicals and the Press'
JELENA LALATOVIĆ (Institute for Literature and Art, Belgrade): 'Campaigning Against State Repression in the Periodical Press: Censorship and Resistance in the Yugoslav Context (1928˗1938)', 17 November 2023. Chair: Nora Ramtke
In 1928 a prominent Yugoslav writer August Cesarec issued a newspaper The Protection of a Human: an Independent Herald for Human and Civil Rights aimed at campaigning against the Law for the protection of the state, whose main goal was to curb free speech and freedom of expression in the Kingdom of Yugoslavia. The newspaper The Protection of a Human thus represents the first periodical of this genre (entirely dedicated to a single cause) in the history of Yugoslav periodicals. Additionally, it established a specific rhetoric of defending the position of the free press, specifically in the genre of reporting. The aim of the research is twofold. Firstly, I would like to explore how the left-wing periodical press of the thirties, which were succumbed to severe censorship and persecution by the authorities, inherited and developed the strategies and tactics set as an example by Cesarec’s newspaper. Along with that, I would like to elaborate on whether this analysis allows us to outline a new classification of these periodicals on the basis that they cherished a specific meta-dimension embodied in their rhetoric and editorial underpinnings – deliberation on the position of the press in an authoritarian society. In other words, I use the Yugoslav context as a case study to examine how the legal framework (including the pretexts such as a libel or offense to restrain the freedom of expression) influenced the typology and morphology of the socially and politically engaged periodicals. The methodology I use relies on a comparative reading of the rhetoric and practice of censorship, which includes an examination of the archival documents of the Central Press Bureau, and periodicals whose editorial policy was based on a systematic opposition to repression and censorship.
MICHAEL LÖRCH (Researcher and translator): 'Decentralized Censorship in a Centralized State: The "Guidance and Control" of Scholarly Periodicals in the German Democratic Republic', 17 November 2023. Chair: Nora Ramtke
The 1949 constitution of the German Democratic Republic boldly declared in its 9th article that “There is no press censorship”. The country’s second constitution of 1968 avoided the taboo word of ‘censorship’ altogether, declaring instead that the “Freedom of the press, radio and television is guaranteed”. Consequently, there would never be any official law or regulatory text detailing the practice of censorship taking place in the East German state. Instead, the heavily centralized country relied on a decentralized system of ‘control and guidance’, transferring much of the responsibility on individual editors, authors, and other media professionals. Those, however, could, for most of the time, not rely on any document and instead had to anticipate what Party officials deemed printable, creating an atmosphere of mistrust and uncertainty. The practice of censorship therefore took place in a legal grey area, with State and Party relying on the use of euphemisms such as ‘guidance’, ‘control’ and ‘support, framing acts of censorship as sponsorship or the result of economic shortages. Much of the censorship therefore occurred in the form of pre- and self-censorship. The lack of a written law nonetheless created some leeway that resourceful editors and authors could carefully exploit. While these mechanisms have been subject of scholarly interest regarding the country’s book, newspaper and film production, the effect on periodicals has so far been neglected. This paper will therefore illustrate the ‘guidance and control’ exerted on even the most peripheral periodicals by looking at the Zeitschrift für Anglistik und Amerikanistik (1953-present), a scholarly journal of the humanities. Based on the journal and archival material, I will explore how the journal’s editors navigated this system of censorship without a censorship authority and how it influenced the journal and its contents. I will equally investigate how the journal participated in a wider movement, involving various forms of published and unpublished material, to widen the country’s literary canon and academic horizon, for which the ZAA’s international visibility and the very form of the scholarly journal provided opportunities and justifications.
